360 social media marketing, audio visual creative, branding services, campaign development, advertising copywriting, cultural consulting, creative design services, digital creative services

As We See It

We created an organic social campaign for ๐˜ˆ๐˜ด ๐˜ž๐˜ฆ ๐˜š๐˜ฆ๐˜ฆ ๐˜๐˜ต that used interactive stories, character-led formats, original animated content, and accessible editorial pieces to broaden entry points into the series.

THE CHALLENGE

How do you make inclusion part of the creative process instead of just the message?

OUR APPROACH

  • Partnered with autistic and neurodivergent creatives, copywriters, and strategists throughout the campaign.
  • Designed every asset with accessibility in mind, from visual pacing to extensive alt text.
  • Crafted thoughtful creative that reflected the community instead of speaking for it.

THE IMPACT

An inclusive campaign built alongside the community it represented, proving accessibility and creativity can strengthen one another.

For Prime Videoโ€™s As We See It, we built an organic social campaign that could introduce the series while giving audiences multiple ways into its characters, perspective, and everyday moments. Animated key art established recognition, while character-led posts, quote cards, and tap-through stories turned the showโ€™s voice and situations into repeatable feed experiences. We also created original extensions beyond show footage, including soothing GIFs inspired by calming or stimming-related moments and a character-named recipe. Marketing and press content added context around authenticity and the people behind the work. Across selected pieces, we prioritized clear captions, deliberate pacing, and accessible communication, informed by collaboration with autistic and neurodivergent creatives.


IG Tap Through Stories

We used tap-through stories to place viewers inside character- and episode-related situations instead of asking them to passively receive a promotional message. Each sequence unfolded through successive taps and possible responses, creating a choice-led way to encounter the showโ€™s perspectives and stakes. The Harrison and Violetโ€™s Birthday executions established a repeatable structure that could keep the series active in Stories between more direct promotional posts.


Countdowns

We used this collection for countdown content, a repeatable social format suited to giving audiences recurring reminders as a campaign moment approached.

Three smiling friends stand together outdoors beneath large text reading โ€œOne Month,โ€ announcing the upcoming Prime Video series As We See It.
Violet sits at a cafe table wearing a tan sherpa jacket, stirring a cup of ice cream while large white text reading "One Week" overlays a warm, softly blurred background.
Close-up of Mandy in a burgundy sweater, hands clasped near her chin, with large white word โ€œTomorrowโ€ across the lower frame and a small Prime Video logo in the bottom left.
Four smiling cast members stand close together outdoors in front of a flowering hedge, two women in floral dresses and cardigans and two men in jackets, with bold "Today" text and Prime Video logo overlaid.

Animated Key Art

We adapted the series key art into motion so audiences could quickly recognize As We See It in an organic social environment. As a foundational campaign asset, it kept the title, central trio, positioning line, and Prime Video association together in a format that could anchor more episodic, interactive, and character-led posts.


Marketing Shoot / Press Junket Content:

We turned marketing-shoot and interview material into social content that gave audiences context beyond plot and character clips. The “Being Authentic” edit paired scene footage with interview excerpts to connect the series to conversations about authenticity and talent. Clear captions, simple name straps, and a steady pace supported an accessible viewing experience, with choices informed by collaboration with autistic and neurodivergent creatives.


Static Quote Cards

We used static quote cards as a concise, repeatable way to keep the seriesโ€™ voice present in the feed. As the still counterpart to video quote cards, the format could make individual lines and character perspectives easy to absorb and share without requiring audiences to watch a longer clip.

Close-up of Jack wearing headphones and glasses, cropped on the right; campaign text overlay reads 'Nothing is real, everything is a lie' with a muted teal speech bar and Prime Video logo.
A woman looks upward with a soft smile beside the quote, โ€œYeah, this is where I need to be,โ€ in a clean Prime Video social card.
A woman wearing a seat belt sits in a car as large text reads, โ€œI want a boyfriend. Itโ€™s normal to have a boyfriend!โ€ beside the Prime Video logo.
A smiling young man in a teal shirt appears beside the quote, โ€œI donโ€™t leave the building,โ€ with Prime Video branding in the lower left corner.

Video Quote Cards

We shaped memorable dialogue and character moments into short video posts centered on a single line. This gave audiences a quick way into the showโ€™s humor, relationships, and emotional perspective, while creating a repeatable stream of scene-led content between larger campaign beats. Cards including “True Love” and “Throw Up” showed how a quote could become a self-contained social entry point for As We See It.


Character Cards

We used character cards to give an ensemble series more approachable, individual entry points. By focusing attention on one character at a time, the format could help audiences distinguish the people at the center of As We See It before encountering them in broader key art, clips, or interactive stories.

Rick Glassman as Jack looks toward the camera in a green jacket and blue shirt, beside clear white cast-identification text on a warm brown background.
Sue Ann Pien smiles while holding a bowl and spoon in a kitchen scene, alongside text identifying her as Violet in As We See It.
Sosie Bacon as Mandy in As We See It, shown in a close portrait beside clear white character-introduction text and warm abstract graphic accents.

Character Mood Boards

We used character mood boards as a personality-building social format, extending character introductions beyond straightforward plot summary. The collection created space to explore a characterโ€™s point of view through associated themes and cues, helping make that perspective more memorable in the feed.

Collage-style portrait of Violet smiling amid purple flowers, roller skates, hearts, a flip phone, cotton candy, lipstick, and cutout letters spelling her name.
Collage portrait of Jack, played by Rick Glassman, surrounded by cutout details including glasses, playing cards, a computer, folded shirts, and a speaker.
Portrait of Harrison from As We See It in a cut-paper collage with headphones, a teddy bear, cereal, a remote control, sunglasses, and other everyday objects.

Soothing GIFs

We created original animated GIFs inspired by soothing or stimming-related moments in the series, rather than repurposing show footage. By isolating ideas such as a Roombaโ€™s repetitive cleaning loop and rebuilding them from scratch, we made simple, loopable moments that could be calming to watch and easy to share. The work extended a recognizable part of the seriesโ€™ lived experience beyond conventional promotional content.

Illustrated robot vacuum above the As We See It title on a speckled beige background, with the Prime Video logo in the lower left corner.
Illustrated grocery cart filled with French fries rolls through a store aisle, surrounded by the words โ€œBEEPโ€ and โ€œCLINK.โ€
A stylized illustrated face is surrounded by a skateboard, dog, and chess knight on a warm rust background, with Prime Video and As We See It branding.

Violetini Recipe

We made the Violetini recipe as a playful, character-named activity that let audiences engage with As We See It beyond a plot clip. Its short, step-by-step structure gave viewers a self-contained social experience they could follow in-feed, while keeping the series and Prime Video present throughout. The design and pacing choices were shaped directly with autistic and neurodivergent creatives on the campaign team.

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