360 social media marketing, audio visual creative, branding services, campaign development, advertising copywriting, cultural consulting, creative design services, digital creative services

As We See It

We created an organic social system for As We See It that used interactive stories, character-led formats, original animated content, and accessible editorial pieces to broaden entry points into the series.

THE CHALLENGE

How do you make inclusion part of the creative process instead of just the message?

OUR APPROACH

  • Partnered with autistic and neurodivergent creatives, copywriters, and strategists throughout the campaign.
  • Designed every asset with accessibility in mind, from visual pacing to extensive alt text.
  • Crafted thoughtful creative that reflected the community instead of speaking for it.

THE IMPACT

An inclusive campaign built alongside the community it represented, proving accessibility and creativity can strengthen one another.

For Prime Videoโ€™s As We See It, we built an organic social system that could introduce the series while giving audiences multiple ways into its characters, perspective, and everyday moments. Animated key art established recognition, while character-led posts, quote cards, and tap-through stories turned the showโ€™s voice and situations into repeatable feed experiences. We also created original extensions beyond show footage, including soothing GIFs inspired by calming or stimming-related moments and a character-named recipe. Marketing and press content added context around authenticity and the people behind the work. Across selected pieces, we prioritized clear captions, deliberate pacing, and accessible communication, informed by collaboration with autistic and neurodivergent creatives. We concepted and developed the campaignโ€™s social content across these formats.


IG Tap Through Stories

We used tap-through stories to place viewers inside character- and episode-related situations instead of asking them to passively receive a promotional message. Each sequence unfolded through successive taps and possible responses, creating a choice-led way to encounter the showโ€™s perspectives and stakes. The Harrison and Violetโ€™s Birthday executions established a repeatable structure that could keep the series active in Stories between more direct promotional posts.


Countdowns

We used this collection for countdown content, a repeatable social format suited to giving audiences recurring reminders as a campaign moment approached. No assets or additional context were supplied, so we have kept the specific date, milestone, and messaging undefined.

Three smiling young adults huddle close outside at dusk, with the oversized word 'One Month' in white across the lower left and a small Prime Video logo in the corner.
Violet sits at a cafe table wearing a tan sherpa jacket, stirring a cup of ice cream while large white text reading "One Week" overlays a warm, softly blurred background.
Close-up of Mandy in a burgundy sweater, hands clasped near her chin, with large white word โ€œTomorrowโ€ across the lower frame and a small Prime Video logo in the bottom left.
Four smiling cast members stand close together outdoors in front of a flowering hedge, two women in floral dresses and cardigans and two men in jackets, with bold "Today" text and Prime Video logo overlaid.

Animated Key Art

We adapted the series key art into motion so audiences could quickly recognize As We See It in an organic social environment. As a foundational campaign asset, it kept the title, central trio, positioning line, and Prime Video association together in a format that could anchor more episodic, interactive, and character-led posts.


Marketing Shoot / Press Junket Content:

We turned marketing-shoot and interview material into social content that gave audiences context beyond plot and character clips. The Being Authentic edit paired scene footage with interview excerpts to connect the series to conversations about authenticity and talent. Clear captions, simple name straps, and a steady pace supported an accessible viewing experience, with choices informed by collaboration with autistic and neurodivergent creatives.


Static Quote Cards

We used static quote cards as a concise, repeatable way to keep the seriesโ€™ voice present in the feed. As the still counterpart to video quote cards, the format could make individual lines and character perspectives easy to absorb and share without requiring audiences to watch a longer clip. No specific quotes or card assets were supplied for this collection.

Close-up of Jack wearing headphones and glasses, cropped on the right; campaign text overlay reads 'Nothing is real, everything is a lie' with a muted teal speech bar and Prime Video logo.
Violet sits in the passenger seat and looks out a car window while a bold, rounded quote reads, "I want a boyfriend. It's normal to have a boyfriend!" with a small Prime Video logo.
Close-up of Violet looking upward with a soft smile, green-and-blue key light on her face, a blurred warm background, and a rust-colored rounded callout reading, 'Yeah, this is where I need to be.'
Smiling young man in a teal T-shirt fills the left side as a rounded yellow callout on the right reads, "I don't leave the building." Prime Video logo sits in the lower corner.

Video Quote Cards

We shaped memorable dialogue and character moments into short video posts centered on a single line. This gave audiences a quick way into the showโ€™s humor, relationships, and emotional perspective, while creating a repeatable stream of scene-led content between larger campaign beats. Cards including True Love and ThrowUp showed how a quote could become a self-contained social entry point for As We See It.

AM_AWSI_VID_VQC_ThrowUp_V01a poster image

Character Cards

We used character cards to give an ensemble series more approachable, individual entry points. By focusing attention on one character at a time, the format could help audiences distinguish the people at the center of As We See It before encountering them in broader key art, clips, or interactive stories. No card-specific assets or messaging were supplied for this collection.

Close-up portrait of Rick Glassman as Jack wearing round glasses, blue shirt and olive jacket against a dark background, with large white title text 'Rick Glassman as Jack' and Prime Video logo.
Warm close-up of Violet smiling while holding a bowl and spoon, with bold white title text on the left and soft lilac and cream decorative shapes framing the corners.
Tight three-quarter portrait of Sosie Bacon as Mandy, smiling softly in warm, low-contrast light while wearing a denim jacket; large white name typography appears at right and a Prime Video logo sits lower left.

Character Mood Boards

We used character mood boards as a personality-building social format, extending character introductions beyond straightforward plot summary. The collection created space to explore a characterโ€™s point of view through associated themes and cues, helping make that perspective more memorable in the feed. No assets or further context were supplied, so we have not assigned specific attributes or source material to the work.

Warm collage portrait of Violet smiling against a lavender paper-textured background decorated with torn-paper letters spelling "Violet", cotton candy, a flip phone with hearts, violets, and lipstick stickers.
Jack in a teal-bordered cutout wearing a red-and-blue plaid shirt, looking right beside collage stickers including his name spelled "Jack," a laptop with code, stacked shirts, glasses, cards, and tape.
Close-up collage portrait of Harrison (Albert Rutecki) smiling against a warm beige background, surrounded by sticker-style objects: headphones, teddy bear, walkie-talkie, sunglasses, cereal bowl, remote, dice, and no-dog sign.

Soothing GIFs

We created original animated GIFs inspired by soothing or stimming-related moments in the series, rather than repurposing show footage. By isolating ideas such as a Roombaโ€™s repetitive cleaning loop and rebuilding them from scratch, we made simple, loopable moments that could be calming to watch and easy to share. The work extended a recognizable part of the seriesโ€™ lived experience beyond conventional promotional content.

Top-down teal robot vacuum moves in the top-left while large beige text 'AS WE SEE IT' occupies the center, with the second E slightly tilted; Prime Video logo sits in the lower-left.
Top-down illustration of a wire fryer basket filled with french fries against a warm red backdrop with onomatopoeia 'BEEP BEEP' and 'CLINK CLINK', Prime Video and As We See It logos in corners.
Central pale blond face with a neutral expression surrounded by floating icons (car, dog head, upside-down profile) on a muted red background with Prime Video and As We See It logos.

Voiletini Recipe

We made the Violetini recipe as a playful, character-named activity that let audiences engage with As We See It beyond a plot clip. Its short, step-by-step structure gave viewers a self-contained social experience they could follow in-feed, while keeping the series and Prime Video present throughout. The design and pacing choices were shaped directly with autistic and neurodivergent creatives on the campaign team.

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