We leaned into photocopied zine energy, slotting a comic-girl reading 'MOXIE' into a torn-paper collage with rough textures and red ink splatters.
We framed Hadley Robinson’s portrait with torn-paper textures, red marker doodles, and a bold prompt so the tile reads like a zine someone would trade in a hallway.
We turned a class-style portrait into a passed-around zine moment by painting bold red Xs and eye bars, then layered splatters and notebook lines to read like a protest flyer.
We paired Lauren Tsai as Claudia's candid portrait with ripped-paper collage and a personal quote so the post reads like a zine page someone might pass down the hall.
We spelled USAePay out of coffee beans on burlap to give the company's social voice a warmer, more human touch.
We dressed the security message in a brick-textured, colorful illustration so it would read like something made by the people who build the product—clear, human, and visually friendly.
We put the whole Bat‑Fam in a kid-sized Batboat on a glossy lunch box as a tactile keepsake for the influencer kit we made with I’m The Chef Too!.
We framed a tactile timeline—from an 1865 charge coin to a 1993 EMV chip card—to give USAePay’s social feed a human, historical moment.
We wrapped Pam Grier’s Athena in taut red yarn so the thread reads like a wound and a tether to Edmund’s Raggedy Andy.
We paired Mirabel and Antonio beneath a bold 'TONIGHT' graphic to give the social countdown a warm, playful energy.
We paired Sosie Bacon's candid smile with a warm, readable quote panel to keep the campaign calm, legible, and welcoming.
We made this vertical candy-heart tile using Mei’s half-panda look and tongue-in-cheek copy to give fans a playful, shareable valentines moment tied to the film.
We turned Mei Lee’s panda expressions into a sticker-style, four-panel mood card fans could use to say how they’re feeling in one scroll.
We brought Gabriel Iglesias’s familiar “Fluffy” logo into the classroom by carving it into a teacher’s apple, connecting his established identity to the world of Mr. Iglesias in one clean visual.
We surrounded Brittney Pettus with a storm of color and suspended forms, making the pressure beneath Randi’s composed exterior feel visible.
We layered one family inside the silhouette of their incarcerated loved one, showing how confinement, distance, and the prison phone shape every person connected to the sentence.
We paired Randi’s vivid portrait with oversized typography and a rush of suspended color, giving shape to everything she’s carrying beneath the version of herself everyone depends on.
